Winner of a PEN Translates grant.

In these witty, postmodern stories, Yoon riffs on pop culture, experiments with punctuation, flirts with sci-fi and, in a metafictional twist, mocks his own position as omnipotent author. Highly literary, his narratives offer an oblique reflection of contemporary Bangkok life, exploring the bewildering disjunct and oft-hilarious contradictions of a modernity that is at odds with many traditional Thai ideas on relationships, family, school and work.

Credited with having ‘brought fresh energy to Thai literature with his distinctive urban voice’, Yoon’s is the voice of a new generation, responding to his country’s recent and rapid urbanisation with fresh, off-beat perspectives and exciting formal innovation. The collection from which the majority of the stories in The Sad Part Was are taken made the young author a household name when it was published in 2002 and won the SEA Writers Award. Two of its stories have been excerpted in Two Lines Journal, and Yoon already has a fan in prominent critic Scott Esposito. One story is currently being made into a feature film.